His music is firmly rooted in the structures and compositional techniques of the Baroque and classical masters.
Brahms - Waltz in Ab Op 39 No 15
He was a master of counterpoint, the complex and highly disciplined method of composition for which Bach is famous. Yet within these structures, Brahms created bold new approaches to harmony and timbre which challenged existing notions of tonal music. His contribution and craftsmanship has been admired by subsequent figures as diverse as Arnold Schoenberg and Edward Elgar.
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- Brahms: Waltz Opus 39 No. 15 In A Flat Major.
Brahms's works were a starting point and an inspiration for a generation of composers, including Schoenberg, who eventually abandoned tonality. Brahms wrote a number of major works for orchestra, including two serenades, four symphonies, two piano concertos No.
His large choral work A German Requiem is not a setting of the liturgical Missa pro defunctis, but a setting of texts which Brahms selected from the Lutheran Bible. The work was composed in three major periods of his life. An early version of the second movement was first composed in , not long after Robert Schumann's attempted suicide, and this was later used in his first piano concerto.
The majority of the Requiem was composed after his mother's death in The fifth movement was added after the official premiere in , and the work was published in Brahms's works in variation form include the Variations and Fugue on a Theme by Handel and the Paganini Variations, both for solo piano, and the Variations on a Theme by Haydn in versions for two pianos and for orchestra. The final movement of the Fourth Symphony Op. His chamber works include three string quartets, two string quintets and two string sextets, a clarinet quintet, a clarinet trio, a horn trio, a piano quintet, three piano quartets and four piano trios the fourth being 'opus posthumous'.
He composed several instrumental sonatas with piano, including three for violin, two for cello and two for clarinet which were subsequently arranged for viola by the composer.
Sixteen Waltzes, Op. 39: No. 15 In A-Flat Major
His solo piano works range from his early piano sonatas and ballades to his late sets of character pieces. Brahms was a significant Lieder composer, who wrote over songs. His chorale preludes for organ op. Brahms strongly preferred writing absolute music that does not refer to an explicit scene or narrative, and he never wrote an opera or a symphonic poem.
Despite his reputation as a serious composer of large, complex musical structures, some of Brahms's most widely known and most commercially successful compositions during his life were small-scale works of popular intent aimed at the thriving contemporary market for domestic music-making; indeed, during the 20th century the influential American critic B. Haggin, rejecting more mainstream views, argued in his various guides to recorded music that Brahms was at his best in such works and much less successful in larger forms. Among the most cherished of these lighter works by Brahms are his sets of popular dances?
This last was written to a folk text to celebrate the birth of a son to Brahms' friend Bertha Faber and is universally known as Brahms' Lullaby. Hide extended text Editor Henry Levine has included helpful fingering suggestions, pedaling indications in the secondo part, and phrasing that enhances the melodic line. For reading and playing convenience, these beautifully re-engraved waltzes are now available in an attractive upright edition, complete with a thematic index. David P.
Carol Bell and Digby Bell. Piano Duet 1 Piano, 4 Hands Book. Henry Levine. Edward Francis. Piano Duo 2 Pianos, 4 Hands Book 2 copies re Maurice Hinson.
Arrangement for piano (high quality sheet music)
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- Sixteen Waltzes, Op. 39 No. 15 in A-Flat Major.
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